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Open a larger version of the following image in a popup: Holo female statue 'Mvunzi' with traces of Polychrome, DRC, 1st half 20th C
Open a larger version of the following image in a popup: Holo female statue 'Mvunzi' with traces of Polychrome, DRC, 1st half 20th C
Open a larger version of the following image in a popup: Holo female statue 'Mvunzi' with traces of Polychrome, DRC, 1st half 20th C
Open a larger version of the following image in a popup: Holo female statue 'Mvunzi' with traces of Polychrome, DRC, 1st half 20th C

Holo female statue 'Mvunzi' with traces of Polychrome, DRC

1st half 20th C
Wood
Organic material
40 x 9 x 7 cm
429
€ 5,900.00
Enquire
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Further images

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The cult statue Mvunzi, represents an Ancestor carved with slightly bent legs and her hands joining on the abdomen.The crested hairdo, proportioned body, scarified face with coffee-bean eyes, bent legs and blue polychrome characterizes their Holo’s Art Style. The Holo are a small Matriarchal Tribe living in Kwango Area on the DRC-Angola border (population of +/- 6000 in DRC). Holo sculpture is very varied due to the influences of their culturally dominant neighbors: Suku, Yaka, Lunda,Tshokwe and others. Bibliography: ’ L'art holo du Haut-Kwango =​ Die Kunst der Holo aus dem Gebiet des oberlaufes des Kwango =​ Holo art from the area along the upper course of the Kwango’, Francois Neyt., München, 1982.

La coiffure en crête, le corps proportionné, le visage scarifié avec des yeux en grain de café, les jambes pliées et la polychromie bleue caractérisent le style artistique des Holo. Les Holo sont une petite tribu matriarcale vivant dans la région du Kwango, à la frontière entre la RDC et l'Angola (population de +/- 6000 personnes en RDC). La sculpture des Holo est très variée en raison des influences de leurs voisins culturellement dominants : Suku, Yaka, Lunda, Tshokwe et autres. Bibliographie : ' L'art holo du Haut-Kwango = Die Kunst der Holo aus dem Gebiet des oberlaufes des Kwango = Holo art from the area along the upper course of the Kwango', Francois Neyt, München, 1982.
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Provenance

Jos Humblet, Brussels
Belgian Private Collection
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